Do you like the talking part?

I worked with a particularly hilarious bouffon in LA who would always begin class with, "Let's get out our notebooks and sit around and talk first." And I would hop up and down like Rumpelstiltskin, sputtering, "No time!" But secretly he probably could have gotten me to do it if he'd pushed a little harder - 'cause doesn't that sound like fun? But then we wouldn't have gotten to find as much astonishing hilarity on our feet. So he had to console himself with more time being beautiful. A burden, I know. In class I am always wanting to squeeze out every second of stage time for you - and also, I know that there is a lot to be learned talking it over. So let's talk it over!

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Never done Commedia before and want to know more before you jump in? Been doing Commedia and want feedback or have questions from the work? Wanna know more about my take and hear all about why you can't be in the Renaissance (Because it's not the Renaissance), geek out over the possibilities of game (FARR), brainstorm all the ways you might play Smeraldina, etc? Wanna chill on the internet with some really funny people for free? Come on then! Sign up ---->